NOLI ME TANGERE
"Touch Me Not"
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A Novel by Dr. José Rizal
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Report Content:
• Introduction to the Novel
• The Cover & Its Symbolism
• Cast of Characters & Their Roles
• The Story of Noli Me Tangere
• Group Members
What is Noli Me Tangere?
Title Meaning
- From a Latin phrase taken from the Bible (John 20:17), meaning "Touch Me Not"
- Refers to a cancerous tumor that cannot be touched without causing severe pain — symbolizing the social cancer of Spanish colonial rule in the Philippines
Publication
- Rizal finished the novel on December 1886
- Printed in Berlin, Germany in 1887
Dedication
"To my Fatherland... I dedicate to you this manuscript of my youth as proof of love."
— Berlin, February 21, 1887
Main Theme
Colonialism, religion, and power. The novel examines how Spain's colonization allowed the Catholic Church to dominate and rule the Philippines.
Why Rizal Wrote Noli Me Tangere
Inspiration from Literature
- Rizal was inspired by the novel "Uncle Tom's Cabin" by Harriet Beecher Stowe — a book that exposed the abuses of slavery in America.
- He realized that a novel could move people's hearts and spark change in society.
Personal Injustice
- Rizal's mother, Teodora Alonso, was imprisoned for no valid reason — Rizal personally witnessed the injustice done to his own family.
- His brother, Paciano, was accused of being involved with the Gomburza.
The Gomburza (1872)
- Three Filipino priests — Gomez, Burgos, and Zamora — were executed by garrote in Bagumbayan.
- They were innocent. Their deaths awakened Rizal and showed him the injustice of the colonial system.
Purpose of the Novel
- Rizal wrote Noli Me Tangere to expose the "social cancer" of the Philippines — the abuses committed by the friars, officials, and the wealthy.
- Its goal was to awaken nationalism among Filipinos and make them aware of their own condition.
"There are no tyrants where there are no slaves."
— José Rizal
The Cover & Its Symbolism
| Symbol | Meaning |
| Cross | Sufferings of Pomelo blossoms and laurel leaves |
| Laurel leaves | Honor and fidelity |
| Silhouette of a Filipina | Represents María Clara |
| Burning torch | Rage and passion |
| Sunflowers | Enlightenment |
| Bamboo stalks cut but grew back | Resilience of the Filipino people |
| Man in a cassock with hairy feet | Priests using religion in a dirty way |
| Chains | Slavery |
| Whips | Cruelties |
| Helmet of Guardia Civil | Arrogance of those in authority |
| Tombstone | Religious faith |
| Pomelo flower | Purity |
| Woman | Constancy |
Cast of Characters – Crisóstomo Ibarra
Juan Crisóstomo Ibarra y Magsalin
The Protagonist
- Son of a Filipino businessman, Don Rafael Ibarra
- Studied in Europe for seven years
- María Clara's fiancé
- Symbolizes the idealism of the privileged youth
Role in the Story:
- Protagonist of the novel
- Returns to the Philippines full of hope and plans to build a school
- His father's death and the injustices he suffers drive the plot
- Represents the educated Filipino who seeks reform but is crushed by the colonial system
Cast of Characters – María Clara
María Clara de los Santos y Alba
The Symbol of Purity
- Raised by Capitán Tiago, the cabeza de barangay of San Diego
- The most beautiful and celebrated girl in San Diego
- Symbolizes the purity and innocence of the sheltered native woman
- A faithful sweetheart, a good friend, and an obedient daughter
- Related to Rizal's childhood sweetheart, Leonor Rivera
Role in the Story:
- Ibarra's love interest and fiancée
- Her true parentage is a central secret of the novel
- Her fate represents the suffering of Filipino women under colonial rule
Cast of Characters – Capitán Tiago
Capitán Tiago (Don Santiago de los Santos)
The Wealthy Filipino
- Filipino businessman and cabeza de barangay of San Diego
- Known father of María Clara
- Described as a good Catholic, friend of the Spanish government
- Symbolizes the rich Filipinos who oppress their fellow countrymen
Role in the Story:
- Hosts the opening dinner party where Ibarra returns
- His weakness and desire for social acceptance lead him to betray Ibarra
- Represents the wealthy Filipino who chooses comfort over patriotism
Cast of Characters – Padre Dámaso
Padre Dámaso Verdolagas
The Cruel Friar
- A Franciscan friar and former parish priest of San Diego
- Known for speaking harsh words — a cruel priest
- He is the real father of María Clara
- He raped Doña Pia, María Clara's mother
- Symbolizes the Spanish friars of Rizal's time
Role in the Story:
- Main antagonist who destroys Ibarra's family
- His abuse of power and hidden sins drive much of the conflict
- Represents the corruption and hypocrisy of the Church
Cast of Characters – Elías
Elías
The Revolutionary
- Ibarra's mysterious friend and ally
- First appears as a pilot during a picnic
- Wants to revolutionize the country and free it from Spanish oppression
- Said to be the personification of Andrés Bonifacio
- Represents the common Filipino
Role in the Story:
- Saves Ibarra's life multiple times
- Reveals the truth about Ibarra's grandfather's dark past
- Sacrifices himself at the end so Ibarra can escape
Cast of Characters – Filósofo Tasio
Filósofo Tasio (Pilosopo Tacio / Don Anastacio)
The Learned Filipino
- Expresses his ideas in cryptographic writing hoping future generations can decipher it
- Called "Filósofo Tacio" (Tacio the Sage) or "Tacio el Loco" (Insane Tacio)
- Rizal relates him to his older brother, Paciano Rizal
- Symbolizes the learned Filipino
Role in the Story:
- Serves as the voice of reason and wisdom
- Warns Ibarra about the dangers of his reformist ideas
- Dies alone, disillusioned by the failure of reform
Cast of Characters – Sisa (Narcisa)
Narcisa (Sisa)
The Suffering Mother
- The deranged mother of Basilio and Crispín
- She loves her children very much but cannot protect them from her husband, Pedro
- Personifies the suffering of the motherland
- Named after Rizal's older sister, Narcisa
Role in the Story:
- Represents the suffering of the Filipino mother
- Her descent into madness after losing her sons is the most tragic part
- Dies in the forest, reunited with Basilio only in her final moments
Cast of Characters – Crispín
Crispín
The Innocent Victim
- Sisa's 7-year-old son
- An altar boy unjustly accused of stealing money from the church
- Sisa's favorite son
- Father Salví and the head sacristan killed him
Role in the Story:
- His unjust accusation and death represent the innocent wrongly accused
- His story is based on the true tale of Crisóstomo's brother of Hagonoy
- His death drives Sisa to madness
Cast of Characters – Basilio
Basilio
The Survivor
- Sisa's 10-year-old son
- An acolyte tasked to ring the church bells for the Angelus
- Feared losing his younger brother and his mother falling into insanity
- Their family represented the innocent wrongly accused of crimes they did not commit
Role in the Story:
- Survives the tragedy and is taken in by a kind family
- His story continues in El Filibusterismo (the sequel)
- Represents the hope for the next generation
Cast of Characters – Padre Hernando de la Sibyla
Padre Hernando de la Sibyla
The Liberal Friar
- A Dominican friar
- Described as short with fair skin
- Instructed by an old priest to watch Crisóstomo Ibarra
- Often cool and intelligent, especially when correcting Padre Dámaso
- Symbolizes the liberal friar but stays in the background
Role in the Story:
- Represents the more calculating and political side of the Church
- Observes events without directly interfering
- Shows that some friars are simply indifferent, not openly cruel
Cast of Characters – Padre Bernardo Salví
Padre Bernardo Salví
The Manipulative Curate
- Franciscan curate of San Diego
- Secretly harboring lust for María Clara
- Described as very thin and sickly
- His last name "Salví" hints at "Salvaje" meaning bad — willing to kill an innocent child, Crispín, for money
- Manipulates people to get what he wants
Role in the Story:
- Becomes the new parish priest of San Diego
- His obsession with María Clara leads him to manipulate events
- Represents the corrupt friar who uses religion for personal gain
Cast of Characters – El Alférez
El Alférez (The Alférez)
The Abusive Official
- Chief of the Guardia Civil
- Mortal enemy of the priests for power in San Diego
- Husband of Doña Consolación
- Represents the officials of the state who struggled with Church officials
Role in the Story:
- Represents the abusive power of the military
- His conflict with Padre Salví shows the power struggle between Church and State
- His abuse of Sisa is one of the novel's most disturbing scenes
Cast of Characters – Doña Consolación
Doña Consolación
The Colonial-Minded Wife
- Wife of the Alférez, nicknamed "la Musa de los Guardias Civiles"
- A former laundrywoman who passes herself as a Peninsular
- Best remembered for her abusive treatment of Sisa
- Pretends not to know Tagalog and often uses Spanish words
- Symbolizes Filipinos who are ashamed of their own race
Role in the Story:
- Represents the colonial mentality of Filipinos who look down on their own people
- Her cruelty to Sisa shows oppression is also perpetuated by fellow Filipinos
Cast of Characters – Doña Victorina
Doña Victorina (de los Reyes de Espadaña)
The Pretentious Filipina
- Wife of Don Tiburcio
- An ambitious Filipina who classifies herself as Spanish and mimics Spanish ladies
- Symbolizes those who have a distorted view of their identity
Role in the Story:
- Represents the Filipino who aspires to be Spanish
- Her pretentiousness makes her a comical but also tragic figure
- Shows the foolishness of colonial mentality
Cast of Characters – Don Tiburcio de Espadaña
Don Tiburcio de Espadaña
The Quack Doctor
- Spanish Quack Doctor, limp and submissive to his wife
- He is timid and rarely joins in a conversation
- Represented the ignorant Spanish whose foolishness the other Spaniards tolerated
Role in the Story:
- Represents the incompetent Spanish officials sent to the Philippines
- His fake medical practice shows the lack of qualifications of some colonizers
- His submissiveness to his wife is a source of comedy
Cast of Characters – Teniente Guevara
Teniente Guevara
The Honest Soldier
- A close friend of Don Rafael Ibarra
- He reveals to Crisóstomo how Don Rafael Ibarra's death came about
- A morally upright man of Spanish descent who holds both Crisóstomo Ibarra and the late Don Rafael in high esteem
- He is one of the few who openly support the Ibarras
Role in the Story:
- Serves as a father figure to Ibarra
- Represents the good Spaniard who sympathizes with the Filipinos
- His honesty and integrity contrast with the corruption of other officials
Cast of Characters – Alfonso Linares
Alfonso Linares
The Fraudulent Suitor
- A distant nephew of Tiburcio de Espadaña — the would-be fiancé of María Clara
- Presented himself as a practitioner of law, but was later revealed to be a fraud
- He later died due to given medications of Don Tiburcio
- Meek and shy
- Represented the young Spaniards who came to the Philippines hoping for a better life
Role in the Story:
- Brought in by Doña Victorina as a suitor for María Clara
- Represents the Spanish colonizers who saw the Philippines as a place for easy fortune
Cast of Characters – Gobernador General
Gobernador General
The Most Powerful Official
- Unnamed in the novel, he is the most powerful official in the Philippines
- He has disdain for the friars and corrupt officials, and sympathizes with Ibarra
- He occupies the second most powerful rank in the colonial government, second only to the king
- Represents the typical Governor Generals who often disdained the friars' power
Role in the Story:
- Represents the Spanish colonial government
- His sympathy for Ibarra shows that not all Spaniards are enemies of the Filipinos
- His power is limited by the friars, showing the Church's dominance
Cast of Characters – Don Filipo Lino
Don Filipo Lino
The Liberal Vice Mayor
- Represents the younger, less religiously shackled generation in San Diego
- Vice Mayor of the town of San Diego
- He despises spending lavish amounts of money on numerous feast days
- His words fall on deaf ears as he is only deputy mayor
Role in the Story:
- Represents the liberal Filipino who seeks reform
- His frustration shows the burden of colonial religious traditions
- His resignation from office shows the difficulty of fighting the system
Cast of Characters – Padre Manuel Martín
Padre Manuel Martín
The Sermonizing Friar
- He is the linguistic curate of a nearby town who says the sermon during San Diego's fiesta
- Known for his long and dramatic sermons
- Represents the friars who use religion for show
Role in the Story:
- His sermon is a satire of the friars' pompous and empty preaching
- Shows how religion has become a performance rather than a genuine practice of faith
Cast of Characters – Don Rafael Ibarra
Don Rafael Ibarra
The Virtuous Father
- Father of Crisóstomo Ibarra
- Though the richest man in San Diego, he is also the most virtuous and generous
- A critic of the corrupt practices of the Spanish friars
- He dies in prison before his name can be cleared
- His remains were exhumed and buried at the Chinese cemetery because of his status as a heretic
Role in the Story:
- His death and dishonorable burial drive Ibarra's quest for justice
- Represents the good Filipino who is destroyed by the colonial system
- His story is the catalyst for the novel's main conflict
Cast of Characters – Doña Pia Alba
Doña Pia Alba
The Silenced Mother
- Wife of Capitán Tiago and mother of María Clara
- She died giving birth to María Clara. In reality, she was raped by Dámaso so she could bear a child
- A young, healthy, and beautiful woman — very spiritual
- By nature a merry woman, but she became melancholic when she became pregnant
- Represents the women abused by the clergy and silenced by shame
Role in the Story:
- Her rape by Padre Dámaso is the original sin that haunts the novel
- Her death and the secret of María Clara's parentage drive much of the plot
The Story of Noli Me Tangere
Part 1: The Return
Crisóstomo Ibarra returns to the Philippines after seven years in Europe. At a dinner party hosted by Capitán Tiago, he reunites with María Clara, his childhood sweetheart. However, Padre Dámaso openly shows hostility toward him, revealing a rift between the friar and Ibarra's late father, Don Rafael.
Ibarra learns from Teniente Guevara that his father died in prison, accused of being a heretic and filibustero. Don Rafael had killed a corrupt Spanish tax collector in self-defense, but enemies—especially Padre Dámaso—used the incident to destroy him. Ibarra visits the grave where his father was buried, only to discover that the body was exhumed and thrown into the river on Padre Dámaso's orders.
Part 2: Life in San Diego
Ibarra decides to honor his father's memory by building a school in San Diego. He reconciles with the town's powerful figures, though tensions with the friars persist. Meanwhile, Padre Salví, the new curate, secretly covets María Clara.
The story of Sisa and her sons unfolds tragically. Crispín is falsely accused of stealing money from the church, and he and Basilio are abused by the sacristán mayor. Basilio escapes, but Crispín is tortured. Sisa loses her mind searching for her children.
The Story of Noli Me Tangere
Part 3: The Fiesta and the Uprising
During the town fiesta, Ibarra narrowly escapes death when a platform collapses during the school's foundation-laying ceremony. Elías, the mysterious pilot, saves him. Ibarra also saves Elías's life during a fishing trip by killing a crocodile.
At the fiesta, Ibarra's enemies—including Padre Dámaso—publicly insult his father. In a moment of rage, Ibarra attacks Padre Dámaso, nearly killing him. This incident leads to Ibarra's excommunication and his being branded a subversive.
Part 4: Betrayal and Tragedy
A revolutionary plot is orchestrated by Lucas, the brother of the man killed during the school ceremony. The uprising is blamed on Ibarra. Elías helps Ibarra escape from prison, but Ibarra returns to Manila to see María Clara one last time.
María Clara reveals that she is the illegitimate daughter of Padre Dámaso, who has forbidden her to marry Ibarra. She gives Ibarra letters from her mother that confirm this. Ibarra forgives her, and they part tearfully.
Elías and Ibarra flee by boat. Pursued by the Guardia Civil, Elías sacrifices himself by jumping into the water to distract the soldiers, allowing Ibarra to escape.
The Story of Noli Me Tangere
Part 5: Aftermath
María Clara, devastated by Ibarra's presumed death, enters the convent of Santa Clara. Capitán Tiago, ruined and heartbroken, becomes addicted to opium. Basilio, Sisa's surviving son, is taken in by a kind family in the mountains. Sisa dies in the forest, reunited with Basilio only in her final moments.
The novel ends with Ibarra's fate unknown, though Elías's sacrifice suggests he may have survived. The story closes with a sense of tragedy and unresolved hope for the Philippines.
Themes of the Novel
| Theme | Description |
| Colonial Injustice | The abuse of power by Spanish officials and friars |
| Hypocrisy of the Church | The friars preach piety but act with cruelty and corruption |
| Love and Sacrifice | Ibarra and María Clara's love is destroyed by colonial oppression |
| Revolution and Reform | Explores whether peaceful reform or violent revolution is the answer |
| The Suffering of the Poor | Sisa and her sons represent the voiceless victims of colonial rule |
| Identity and Colonial Mentality | Characters like Doña Victorina represent Filipinos who lost their sense of identity |
Legacy of Noli Me Tangere
- Foundation of Filipino Nationalism – Exposed the injustices of Spanish colonial rule
- Inspired the Philippine Revolution of 1896
- Rizal's Execution – Made him a martyr and cemented the novel's place in Philippine history
- Continues to be studied – A required reading in Philippine schools
- Sequel: El Filibusterismo – Continues the story of Basilio and the revolution
Conclusion
Noli Me Tangere is not just a novel — it is a mirror of Philippine society during Spanish colonial rule. Through its characters, Rizal showed the many faces of oppression:
- The victim (Ibarra, María Clara, Sisa)
- The oppressor (Padre Dámaso, Padre Salví, the Alférez)
- The indifferent (Padre Sibyla, Capitán Tiago)
- The colonial-minded (Doña Victorina, Doña Consolación)
- The revolutionary (Elías, Filósofo Tasio)
The novel's message remains relevant today: the fight for justice, freedom, and national identity is a continuous struggle.
"There are no tyrants where there are no slaves."
— José Rizal
Group 3
END OF REPORT
"Ang hindi marunong lumingon sa pinanggalingan ay hindi makararating sa paroroonan."
— JOSÉ RIZAL —
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Thank you for listening!
RIZAL'S WORK: NOLI ME TANGERE
References
- Rizal, José. Noli Me Tangere. Translated by Pascual H. Poblete. Project Gutenberg eBook 20228.
- Various character analyses from Philippine literature textbooks and online sources.
GROUP 3 — RIZAL'S WORK: NOLI ME TANGERE